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Key Features
Trade in your Mackie Onyx 24.4 Analog Mixing Console with Gear4music for a seamless upgrade to your mixing experience. While the Onyx 24.4 has been a reliable centerpiece, it's time to elevate your audio production with Gear4music's straightforward trade-in process. Step into the future of mixing with our range of advanced analog mixing consoles. Explore models offering enhanced features, improved signal processing, and ergonomic design. Looking for a similar powerhouse? Consider upgrading to a modern Mackie Onyx series mixer or explore our selection of premium analog mixing consoles for expanded capabilities. Gear4music ensures a hassle-free transition, empowering you to enhance your mixing capabilities effortlessly. Join the community of audio enthusiasts who trust Gear4music for smooth gear transitions and an ever-evolving world of sonic possibilities.
Product Ref: 286912
The Mackie Onyx 24.4 is a premium 24-channel, 4-bus mixing console designed for Live Sound applications. This durable, road-worthy mixer features an all-new analog circuitry and the latest technologies for live sound reinforcement. Each channel has premium mic preamps which offer greater dynamic range and transparency versus any other mixer mic preamp on the market.
The Onyx 4-Bus channel strip is laid out with working ergonomics in mind. Each control has been strategically placed for maximum functionality and ease of operation. Frequently used controls, such as faders, Solo and Mute switches, channel Assigns, Aux sends and EQ section are placed closest to you for ease. Controls used during setup and sound check such as Input Gain, phantom power, phase invert and the High Pass Filter switch are placed out of the way. In order to minimize the confusion that can occur during mixing, the oversized Solo and Mute switches are physically separated by the main fader on each channel. The last two channels are specifically designed for stereo devices: effects returns, synthesizers, Laptops or any stereo playback devices.
The Onyx 24.4 features 24 balanced mic/line direct outputs, one for each channel, that can be used for multi-track recording. These outputs are post gain/insert and spread across three 25-pin D-Sub (DB-25 female) connectors, in groups of eight. Each DB-25 is wired to the Tascam DB-25 pinout standard for ease. The direct outputs are configured as pre-fader and can be switched via internal jumpers to either pre or post-EQ.