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Key Features
Product Ref: 102305
The Ashdown Geezer Butler Head Of Doom Signature Bass Head was built for Black Sabbath's final farewell tour and had to deliver rock solid performance night after night. It was made with extensive talks between Ashdown and Geezer's long-standing tech, Terry Welty. Geezer was extremely specific with his requirements and needed an amp that was capable of covering a 50 year music career. The result is the Head Of Doom, delivering powerful performance and true rock tones.
The Head Of Doom Signature Bass Head pumps out 666 watts of power, with a tube preamp for warm saturation and a solid-state power section for authoritative, stage-covering sound. It is designed to accommodate input from both passive and active basses or, as Geezer Butler used on stage, the transformer isolated output from another Head Of Doom - ''More heads - more doom!''
The Head Of Doom includes a versatile 3-band EQ on both the mid and bass controls, alongside the standard bass/mid/treble controls to give you focused tonal sculpting. This EQ is footswitchable allowing remote switching on-stage for instant tonal changes. A 'Doom' control adds increased pre-amp current to the 12AX7 valve for more overdriven grind and fatness. This level adjust can be preset and also switched via remote footswitch.
A 'Subs' switch gives the Head Of Doom an extra layer of octave-below harmonic content which can immediately thicken your sound and produce an earth-shattering wall of sound. The amp includes dual VU meters so you can get your input level and drive perfectly matched to the output level, and there are also dual inputs for either passive or active instruments.
The Head Of Doom was designed to be used by Black Sabbath through multiple cabinets and with multiple heads acting as slaves for a master head. This is all made possible through the wealth of sound connection options on the back of the amplifier including a tuner output, line out, transparent FX loop and a line input for the connection of an external sampler or sound source. There is also an output muting function which still leaves the tune-out active for live silent tuning. Three transformer isolated outputs allow you to feed amps into further amps to drive multiple cabinets, or allow you to tap off a signal for recording purposes.
Building an amplifier for one of the greatest British rock bands will have been no easy feat, but Ashdown have succeeded in creating a truly professional solution providing authoritative tone and power. If the Ashdown Head Of Doom is good enough for Black Sabbath, you won't be disappointed of what you'll be able to achieve with it on stage or in the rehearsal room.