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Amp models Clean, R&B, Rock, and Grind let you achieve timeless tones at the touch of a button. The Smart Control FX, including Envelope Filter, Octaver and Chorus, are silky smooth effects and deliver the perfect amount of expression.
An adjustable studio-grade opto Compressor provides a smooth and consistent signal at any volume.
Pushing 15 watts through a punchy 8-inch speaker, LowDown LD15 boasts big bass tone at an unprecedented price.
Clean:
Inspired by: the Eden Traveler, this model is all about clean, funk and fusion bass tone. It'll give you all the warm lows and punchy highs you need
R&B:
Inspired by: a '68 B-15 Flip Top, this model is a tribute to those late 60s and early 70s clean fat bass tones. It is the kind of tone you hear on most Motown recordings, as played by a pioneering young bassist, James Jamerson.
Rock:
This model is inspired by: the '74 Ampeg® SVT® which has appeared on innumerable recordings and arena stages worldwide. Now, all the tone of the head and behemoth 300-pound 8x10 cab is available without having to look up a chiropractor.
Grind:
As the name suggests, this is for modern rock lovers - Alice in Chains to Mudvayne and Rage Against The Machine. Based on: a distorted SansAmp PSA-1 into an SVT® with a direct clean bass signal mixed in, this model gives you that angry, clear and punchy aggression that cuts through the mix and takes your sound to DEFCON 1.
Compressor:
This pro LA-2A®-style compressor is ideal for every bass player and particularly useful for the ones who play with their fingers - achieve a smooth and consistent signal at any volume.
Envelope filter:
Based on: a Q-Tron, this is the baddest envelope filter on the planet. This effect can be heard on tons of major funk and rock tunes.
Octaver:
Based on: the EBS® OctaBass®, this effect produces a single note one octave below the note you're playing to add a powerful new vibe to your sound.
Chorus:
Based on: the much loved T.C. Electronic® Chorus. This is the most transparent, smooth and expressive chorus ever built for bass - and using it won't reduce your low end. It's especially beautiful with fretless basses.