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Key Features
Please note, this is a B-Stock item. B-stock items are either ex repair or have previously been returned by another customer. The original boxing and manual may be missing, and there may be some slight signs of usage.
Otherwise, the unit operates as new.
This is a great opportunity to buy a fully functioning product at a discounted price, supplied with a two year warranty.
Nearly New: This product may have been opened for quality control purposes, returned by a customer, refurbished, or may have non-essential parts or software missing. Otherwise, the product operates as new. This is a great opportunity to buy a fully functioning product at a discounted price.
Product Ref: 90280
Designed specifically for live sound, Vita preamps are virtually noiseless, featuring a discrete Class-A front end design, dual feedback stabilization and bias current optimization for unmatched low-noise performance.
The all-new ReadyFX effects engine employs floating-point DSP, designed specifically for intensive processing of high-quality audio. This results in effects that are rich and always ready to elevate performance and inspire audiences.
Each ProFXv2 model is a well-stocked audio toolkit. From critical tools like multi-band graphic equalization to smart features like channel inserts and footswitchable FX mute, ProFXv2 always has the tools you need.
The ProFX8v2 features a built in USB interface to allow simple recording of your live mix direct from your mixer. Additionally the USB connection can be used to playback music from laptops and other devices during the show. Included with the FX8v2 is the easy to use Tracktion recording software.
The ProFX8v2 has 3-band equalization at carefully selected points which can be used to boosts or cut all frequencies past the specified frequency. The hi EQ provides up to 15 dB of boost or cut above 12kHz, and it is also flat (no boost or cut) at the detent. Use it to add sizzle to cymbals, an overall sense of transparency, or an edge to keyboards, vocals and guitar. Increase the cut to reduce sibilance from a microphone or to mask tape hiss. The mid EQ is centred at 2.5 kHz and can be used to manipulate the dynamics of connected instrument. Additionally the low EQ provides up to 15 dB of boost or cut below 80 Hz. This frequency represents the punch in bass drums, bass guitar, fat synth patches and some baritone singers.