DISC PreSonus StudioLive RML32AI Rack Mount Digital Mixer

Full Description

32 Expandable Inputs

The PreSonus StudioLive RML32AI Rack Mount Digital Mixer is the ideal mixing and recording solution for any musician. Creating the perfect balance between Analog connectivity and digital innovations, the RML32AI provides you with 32 inputs each including fully recallable XMAC Class A preamps. The XMAX Class A preamplifiers are designed to deliver exceptional audio quality for microphones, capturing every nuance of the vocalist/instrument, ensuring you hear the original audio as it was intended. The eight locking XLR/TRS combo inputs allow you to connect a range of external audio devices and equipment, from microphones and line inputs to step sequencers, drum machines and more. The 32 internal channels and 25 buses give you more than enough room to mix and record even the largest projects. You can also expand your inputs by connect two RML32AI units together or a RML32AI and a RML32AI via AVB to create up to 64-channels of mixing.

Integrated LAN/WIFI Connectivity

One of the most unique features of the StudioLive RML32AI is the ability to control the unit remotely over a wi-fi enables network. This opens up a whole world of possibilities when it comes to mixing, allowing you to control the mixer from your tablet device. The included AVB networking connection and Dante networking connection with both allow you to control the RML32AI wirelessly, ideal for mixing in live venues wherever you are. You can also network the RML32AI to other StudioLive units including the FOH for even more versatile configurations. You can also use the Wi-Fi connection to connect to a wide range of Dante-enable products, as well as a range of other products, perfect for the modern sound engineer.

Ideal For A Range Of Applications

The versatility of the RML32AI Rack Mount Digital Mixer makes it ideal for a range of live and studio applications. From acting as the main mixer in a house of worship, to co-ordinating and controlling all the equipment in a bands performance, the RLA32AI is ideal for all. It’s wireless connectivity makes it perfect for live band performances, allowing you to control parameters wherever you are in the venue, as well as allowing the musician to control their monitor mixes. The RML32AI is also perfect for use as a main recording mixer, with the world class microphone preamps retaining every nuance of the original audio, reproducing the sound as it was originally intended.

Integrated Multi-Platform Software

The PreSonus StudioLive RML series mixer all features an integrated suite of versatile software allowing you to mix wirelessly or over a wired network. The state-of-the-art software suite features a range of applications designed for different parameters of the mixer. The UC Surface touch-control software allows you to mix wirelessly, allowing you to move around the venue freely. The UC Surface touch-control allows you to control parameters from your Mac, Windows and iPad devices, with easy-to-read visuals and efficient monitoring. The Studio One software allows you to control the mixer’s recallable XMAC microphone preamplifiers and Fat Channel processing, allowing you to record with effects thanks to the low-latency performance. You can also let the musicians themselves control their own monitor mixes whilst onstage using the QMix applications for the iPhone/iPod touch. You can also automate virtual soundchecks as well as recording live performances at up to 96 kHz with Capture. Use the entire range of software in conjunction with each other to record and edit performances as well as for a range of other applications.

Exceptional Audio Quality and DSP Processors

The PreSonus StudioLive RML32AI is designed for exceptional audio quality, operating at samples rates up to 96kHz for increased definition and recording performance. The premium-quality Burr-Brown converters on each input delivers the powerful low-end response and articulate, crisp highs. The 118dB of dynamic range is more than enough to capture every nuance of the original sound. The recallable XMAC microphone preamps feature high headroom with smooth highs and stellar audio fidelity. The XMAC Preamps features Class A circuits to ensure there is no crossover distortion, delivering exceptional clarity and performance. The RML series mixers from PreSonus feature more DSP power any other mixer in its class. There is a wide range of digital processing that you can implement within your mixing and recording chains including a compressor, limiter, expander and Parametric EQ. The unit also featured four effect processors – two reverbs and two delays, with each effects including a dedicated mix bus, 15 dedicated 31-band graphic EQs and 5000ms of delay available on the last four mix outputs.

Features

• 24 microphone inputs and 8 combo mic/line inputs
• 32 Recallable XMAX Class A analog mic preamps
• 32 internal channels
• 25 mix buses
• Dante network connectivity
• Front panel headphone section, LED meter bridge and XLR connections
• High-quality Burr-Brown AD/DA converters that operate up to 96kHz
• Integrated multiplatform software suite
• UC –Surface touch-control provides total system control from various devices
• 52 x 34 Firewire audio interface
• Fat Channel DSP processing includes a compressor, limiter, expander/gate and parametric EQ on every channel

Specifications

• Input Type: 24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line
• Frequency Response to Direct Output (at unity gain): 20-40 kHz, ±0.5 dBu
• Frequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBu
• Input Impedance: 1K Ohms
• THD to Main Output (1 kHz at unity gain): 0.005 , +4 dBu, 20-20 kHz, unity gain, unwtd
• S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
• Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
• Gain Control Range (±1 dB): 0 dB to +65 dB
• Maximum Input Level (unity gain): +12 dBu
• Phantom Power (±2 VDC): 48 VDC, switchable per channel

• Type: ¼” TRS Female (via Combo), Balanced
• Maximum Input Level (min. gain, 1 [email protected] THD+N): + 18 dBu, ±0.5 dB
• Frequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dB
• Dynamic Range (min. gain, A-wtd): > 114 dB
• Dynamic Range (mid. gain, unwtd): > 105 dB
• THD+N (1 kHz, -1 dBFS, A-wtd): > 0.005
• Imput Impedance: 10K Ohms

• Type: RCA Female, unbalanced (stereo pair)
• Maximum Input Level: +12 dBu

• Type: XLR Male, balanced
• Rated Output Level: +24 dBu
• Output Impedance: 100 Ohms

• Type: ¼” TRS Female, active stereo
• Maximum Output: 100 mW/ch. @ 60Ω load
• Frequency Response: 20 Hz – 20 kHz (± 0.5 dB)
• THD+N: 0.01 , 1 kHz, max gain, 20 Hz BW, unwtd
• S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

• Input to Output: -90 dB (Ref = +4 dBu, 1 kHz, unwtd)
• Adjacent Channels: -87 dB (Ref = +4 dBu, 1 kHz, unwtd)

• Threshold Range: -84 dB to 0 dB
• Attack Time: 0.02s to 500 ms / 0.5 ms
• Release Time: 0.05s to 2s
• Expander Attenuation Range: 2:1 (fixed)
• Noise Gate Attenuation Range: -84 to 0 dB
• Key Filter: 2nd-order, resonant bypass; Q=0.7
• Key Listen: Off, 40 Hz to 32 kHz

• Height: 7” (17.78 cm)
• Width: 19” (48.26 cm)
• Depth: 10.5” (26.67 cm)
• Weight: 8.26 kg (22 lbs)