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Key Features
Product Ref: 286481
The RE20 is arguably one of the most iconic dynamic microphones in the world. Even if you don't know its name, you've certainly seen one before. It was the go-to choice for Jacquire King when mic'ing Nathan Followill's kick drum during the recording of Kings of Leon's "Only By the Night". From Thom Yorke to Amy Winehouse, and Paul McCartney to Jacob Collier. At the heart of many hits and great vocal sounds lies the RE20. Thanks to its modest price, now you too can share the same sonic footprint on your recordings.
Whether its drums, bass, guitars, vocals or brass. Thanks to its cardioid polar pattern. The RE20 offers exceptional rejection from the rear of the microphone with absolutely no off-axis colouration. There's good reason why this is one of the most highly sought after dynamic microphones on the market. The inclusion of an integrated wind filter allows you to achieve that up-close intimate vocal sound. You'll be able to sing right up against the grill, without worrying about plosives or excessive sibilance ruining those all important takes.
Recording with the RE20 is practically cheating. The combination of a Acoustalloy diaphragm and low-mass aluminium voice coil ensures the finest results straight out of the box. One advantage that the RE20 has over a large diaphragm condenser is its ability to react to instruments or vocalists with high SPLs. Results will be record-ready, no matter how loud the musician performs as it's hard to overload and distort this microphone. It is also capable of consistent performance in environments which offer high levels of humidity and temperatures.
For the broadcaster who demands the best. The RE20 ensures zero loss in sound quality, even when the distance between the microphone and the source is extended. And it’s all thanks to variable-D technology. This innovation in microphone engineering minimises proximity effect with perforated pipes located on the rear side of the diaphragm. Put simply, your sound won’t become thin or less prominent when you move around the microphone. That means uncoloured, undistorted damping, perfect for professional broadcasters and sound engineers.