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Key Features
Adaptable and precise. The DPA 4018V Vocal Microphone upholds DPA's reputation for outstanding performance and flexibility. Boasting a flexible modular design, the 4018V is designed to meet your needs in any situation.
The 4018V capsule features a linear response with a soft high-end boost, allowing you to cut through the mix with ease. The precision-engineered supercardioid polar pattern utilises a much wider acceptance angle at the front for an extremely natural sound combined with extraordinary isolation.
Whether you're broadcasting, performing on stage, or trying to find the perfect addition to your studio toolkit. The DPA 4018V consistently captures every nuance with complete transparency - it's all in the details.
Product Ref: 122709
Optimized for vocals and spoken word, the DPA 4018 handheld microphone delivers outstanding performance with a choice of two capsules. This version is equipped with the versatile 4018V capsule.
The 4018V boasts a linear response with a soft boost of 3dB at 12kHz. This allows your sound to cut through the mix in a wide range of environments. It is particularly useful when the end-result is likely to be heard through speakers with limited performance capabilities, such as those that are built-in to televisions.
Both capsules utilise a precise supercardioid polar pattern, granting exceptional isolation. They handle loud sound sources with ease thanks to an included three-step pop protection grid. Whichever version you choose, the 4018 lets you capture every nuance of your performance with class-leading transparency.
A high-quality 3-pin XLR output lets you take full advantage of the world-renowned sound in a wired configuration. The handle's sleek contours ensure outstanding comfort and handling, whilst the rugged construction provides excellent reliability.
If you'd prefer to use your microphone with a wireless system later down the line, all you have to do is switch the handle out for one of DPA's wireless adapters (available separately). For a quarter of the cost of a new mic, you can retain that same sonic performance but with complete wireless compatibility. DPA's modular design provides you with one of the most adaptable mic solutions in the world.
DPA strive to deliver outstanding sonic performance with every single one of their products. The DPA 4018V is no exception. The company has taken a different design approach to ensure that you retain excellent signal integrity with uncompromised transparency.
DPA's Active Drive electronic impedance balancing delivers an array of advantages over traditional transformer-coupled output stages. One such perk is a consistent signal amplitude whether the input connection is balanced or unbalanced, and with or without an input transformer. The 4018V takes full advantage of this technology, improving symmetrical damping and lowering distortion.
Active Drive provides the 4018V with a CMRR of >50dB at 1kHz. This means that less than a thousandth of the normal noise energy will pass through your microphone's circuitry. This technology achieves all of this without employing the need for transformers that would degrade the quality of your audio and introduce audible artifacts into your signal.
"They just sound great. The DPA Vocal Microphone is genius. Even in a small club I can get it as loud as most dynamic mics without hideous feedback, but the sound quality and intelligibility is still there." - Phil Jones, Front of House Engineer for Royal Blood
"The price is going to put a lot of people off, as this is an expensive microphone — but when I told the singer it cost seven times more than the microphone he was currently using, his response was that it sounded it!" - Sound on Sound
"Moving into a sanctuary with a central speaker cluster above and just in front of the stage, it was easy to achieve more than sufficient levels for spoken word or lead vocals without feedback, even in a particular location under the speakers where the angle of the ceiling often creates a feedback-prone zone. EQ was set flat for the test, and the sound engineer complimented the neutral, intelligible character of the audio response." - Church Production